| Year of birth | 1991 |
|---|---|
| Height | 172 cm / 5,8ft |
| Hair colour | red |
| Eye colour | blue green |
| Languages | german (mother tongue), english (fluent), french (fluent) |
| Vehicle licences | car (class b) |
| Skills | contemporary dance (professional), ballet (good), piano (good), swimming (good), acrobatics (good), fencing (good), skateboard (good) |
| 1st residence | berlin; accomodation options: hannover, münchen, hamburg, göttingen, bielefeld |
| Training | 2018-2020 M.A. „spiel&&objekt“, hfs ernst busch 2011-2015 otto-falckenberg-schule münchen |
| FEATURE FILM | |
| 2024 | DER HEIMATLOSE director: kai stänicke | tamtam film gmbh, lupa film |
| 2018 | 100 DINGE director: florian david fitz | pantaleon films gmbh |
| 2017 | STEIG. NICHT. AUS! director: christian alvart | syrreal entertainment gmbh |
TV/STREAMING selection |
|
| 2024 | WAPO BODENSEE – DAS FOSSIL director: herwig fischer | saxonia media filmproduktionsgesellschaft mbH | ard |
| 2023 | SLØBORN director: christian alvart | syrreal entertainment gmbh | zdf |
| 2022 | DIE JÄGERIN – RISKANTE SICHERHEIT director: ismail sahin | real film berlin gmbh | zdf |
| 2022 | SOKO WISMAR – BRÖTCHEN HOLEN director: dirk pientka | real film berlin gmbh | zdf |
| 2022 | SOKO STUTTGART – SCHACHMATT director: daniel helfer | bavaria fiction gmbh | zdf |
| 2020 | IMMER DER NASE NACH director: kerstin polte | u5 filmproduktion gmbh und co. kg | zdf |
| 2019 | KILLERFRAUEN, DIE WEIBLICHE ART ZU TÖTEN director: kirim schiller | odeon entertainment gmbh | joyn |
| 2017 | 8 TAGE director: stefan ruzowitzky, michael krummenacher | neue super gmbh | sky |
SHORT FILM selection |
|
| 2024 | DIE ART, WIE WIR TRÄUMTEN director: simon baucks |
| 2023 | NICHT MEHR DIE 90er director: simon baucks |
| 2022 | DRACHENSPIEL director: sverre aune | dffb |
| 2021 | TILT director: björn schürmann | projekt:::film |
| 2018 | SWEAT director: leyla hoppe | dffb |
